top of page

AM ÄUßERTSTEN MEER 

Am äußersten Meer is a  film set in a secluded monastery during a fasting and silent period. Sister Elies, played by a mesmerizing actress, navigates a mysterious turn of events during a dark storm that brings an enigmatic woman to the monastery's doorstep. The narrative weaves a tale of sensory discovery, as Elies encounters the unknown through wet footsteps, a blue coat, and a lifeless figure with flaming golden hair on the beach. The film unfolds a night of resuscitation attempts, leading to Elies awakening on Easter morning with a tear in her sleeve and an uncanny resemblance to the presumed dead woman. 

It is a film shows a sensory exploration of life, death, and the transformative power of Easter morning.

CREW

REGIE: CELINA SCHMITT  
CINEMATOGRAPHER: ESRA TANRIVERDİ
1. AC: YANNICK HASSE
2. AC: LEAH HAUG
SET SOUND/SOUND DESIGN: TORSTEN HOPPE
FOLEYS: PASCAL ZIEGLER
MISCHUNG: DFFB
1.AD: RICHARD BARTEL

2.AD: AMOS OSTERMEIER

PRODUCTION MANAGER: REBECCA HEILER

SET AL: RICHARD BARTEL, AMOS OSTERMEIER

SET RUNNER: FELIX STRÜMPEL
GAFFER: FRIEDER UNSELT, HANNES SCHULZE
ELECTRICIANS: CARMAN HO, CLARA HOUSELLE

JUSTIN HERRERA, SOFIA AYALA

SET DESIGN: LENA TIFFERT, RITA ALMEIDA

SET DESIGN ASSISTANT: ANNALENE VON LÜCKEN, VICO SEEGER
COSTUME: HAEMIN JUNG, HANNAH LUCIE SAMMANN
GARDROBE: GABRIEL FRANCZAK, SOPHIE DE FRENNE

MAKE UP: MAITE HERRENDORF, ANNI HEROLD

bottom of page