AM ÄUßERTSTEN MEER
Am äußersten Meer is a film set in a secluded monastery during a fasting and silent period. Sister Elies, played by a mesmerizing actress, navigates a mysterious turn of events during a dark storm that brings an enigmatic woman to the monastery's doorstep. The narrative weaves a tale of sensory discovery, as Elies encounters the unknown through wet footsteps, a blue coat, and a lifeless figure with flaming golden hair on the beach. The film unfolds a night of resuscitation attempts, leading to Elies awakening on Easter morning with a tear in her sleeve and an uncanny resemblance to the presumed dead woman.
It is a film shows a sensory exploration of life, death, and the transformative power of Easter morning.
CREW
REGIE: CELINA SCHMITT
CINEMATOGRAPHER: ESRA TANRIVERDİ
1. AC: YANNICK HASSE
2. AC: LEAH HAUG
SET SOUND/SOUND DESIGN: TORSTEN HOPPE
FOLEYS: PASCAL ZIEGLER
MISCHUNG: DFFB
1.AD: RICHARD BARTEL
2.AD: AMOS OSTERMEIER
PRODUCTION MANAGER: REBECCA HEILER
SET AL: RICHARD BARTEL, AMOS OSTERMEIER
SET RUNNER: FELIX STRÜMPEL
GAFFER: FRIEDER UNSELT, HANNES SCHULZE
ELECTRICIANS: CARMAN HO, CLARA HOUSELLE
JUSTIN HERRERA, SOFIA AYALA
SET DESIGN: LENA TIFFERT, RITA ALMEIDA
SET DESIGN ASSISTANT: ANNALENE VON LÜCKEN, VICO SEEGER
COSTUME: HAEMIN JUNG, HANNAH LUCIE SAMMANN
GARDROBE: GABRIEL FRANCZAK, SOPHIE DE FRENNE
MAKE UP: MAITE HERRENDORF, ANNI HEROLD